How To Make A Girl Obsessed With You 1 – Get Adventurous And Go Ride A CoasterĪ great spot to take a girl to impress her is an amusement park. Here are both logical and scientific findings to give you the best of the best when it comes to drawing women into your world and wanting more. *If you are nice, this will put you in a good place but if you’re too nice, you just might wind up in the dreaded friend zone. Unfortunately, there isn’t a guidebook or one simple secret that attracts girls, but there are a few more common tips that will send you in the right direction. A man that’s kind and caring, shy, or one that just has a great personality are also in the hunt for making women obsessed. What’s important is that you understand these aren’t the only factors that draw women in. These two factors don’t have very strong credentials but they do make women obsessed. The obvious factors that draw women in are financial wealth and of course your physical sexy appearance. Truth – Many men are just plain clueless when it comes to socializing with women and others seem to hit the nail on the head repeatedly.
There will be a lot of trial and error before you figure out which tips and expert pointers will drive the girls gaga over you. Some people want their artists to be tortured and suicidal.When it comes to making a girl obsessed with you, there really is no easy answer. I don’t know if that makes my work better or worse. I think my subject matter has shifted a little bit away from myself. I’m not so focused on my own anguish in my songs. It’s still just me alone in a room with an acoustic guitar. Does it feel different to pick up a guitar and write songs now than it did back then?
You reissued your solo debut, Hey Babe, on vinyl.
Some of them were just so great, and I would say, “Why don’t people know this song? Let’s work on this.” He was doing a tour for one of his solo albums, but he threw out his back and had to cancel the tour, so that never happened, but we were in touch. A long time ago in the ’90s, Paul and I were supposed to do a tour together. What about Paul Westerberg? Were you a Replacements fan early on? To be able to work with him was kind of like a dream, you know? If I’m going to have an opportunity like that, I’ll definitely go for it. Plus, Matthew Caws is one of my favorite singers and songwriters. What drives anyone who has obsessive-compulsive leanings? I can’t stop writing songs, and I have too many, so I have to find other people to record with so people don’t get barraged with too many Juliana Hatfield records. What drives you to collaborate?Įmotional instability, I guess. You’ve done several side projects, like the I Don’t Cares with Paul Westerberg and Minor Alps with Matthew Caws of Nada Surf. I think in the beginning of the song I was trying to be like Kurt Cobain, playing the vocal melody on the guitar like in “Come as You Are.” Then I went off in different directions, and it just became this really fun thing. There are a lot of really cool guitar moments on that album, like how the solo in “Dumb Fun” develops. I was trying to capture that kind of feeling that a J. It’s definitely not the same kind of dexterity with my fingers, but that was just a great moment for me. Like on Only Everything, I really loved the solo on “Simplicity Is Beautiful.” I think it’s a couple of solos on top of each other. They’re just little moments that are really exciting to me. Are you drawn to the opposite natures of those sounds? On 2019’s Weird, you layer elements like fuzzy riffs and solos onto a foundation of clean, articulate playing, which is also something you’ve done on earlier albums. Juliana Hatfield, 2015 (Image credit: Jeff Hahne/Getty Images) At the same time I was starting my first band, the Blake Babies, and I was very new at playing guitar. Then I started studying voice at Berklee, because I had never had any voice lessons. After that one semester, I could notate my songs, and now when I’m in the studio and I want to put a keyboard on a track, I can write myself a little lead sheet and play off of that. I learned how to comp and how to read a lead sheet, which ended up being really helpful to me later on. I don’t think they would have admitted me otherwise, because I had no vocal training and no guitar training.įor one semester I studied jazz piano intensively. I was getting really burned out on playing piano, but I used my piano-playing background to get into Berklee. Were you already playing guitar at that point? All the ear training and learning to distinguish intervals and chords really helped me communicate to other musicians. I was not well-versed in the language and with theory. I never really paid much attention to how the different elements in a song were working together.